And can it be that i should gain lyrics




















Refrain: Amazing love! Share this:. Top Artists 1. Casting Crowns. David Phelps. Thank you for putting this marvelous song online. Just received a wonderful ministry while singing it again and again. I woke up from my sleep at around 12 midnight singing this beautiful rendition.

It gives me such great hope and wonderful promises of that Great Day where I will be free at last. This song rekindles my faith in Jesus Christ. Tis mystery all! When your chains fall off, your heart gets free indeed!

Hence no condemnation for me anylonger. No matter what people say has no justification on me anymore. I have the boldness and right to approach the throne of grace anytime I need.

Simply amazing. Each time, the lyrics and melody of this hymn just never leaves me the same. Thank you Jesus, for such brilliant and seasoned minds that composed an hymn like this. My spirit was highly lifted this morning as I listened to this song on radio being one of my favorite hymns.

I quickly google it out and began to sing. Thanks to Charles and John Wesley. We also need to turn to the Lord often because we need to be refreshed by Him. We should have no trust in ourselves.

Apart from the Lord we can do nothing. Madame Guyon often renewed her vows to the Lord, which were her consecration. It is good to determine and vow to love the Lord for our whole life, but it will not be us who fulfill this vow.

It is the Lord who accomplishes everything. Charles Wesley, an excellent hymn writer, in Hymns, , says, "Tis mystery all! It is altogether up to Him. The Lord grants particular mercy and compassion to certain persons Rom. We cannot know the reason; we can only enjoy Him. The death of Christ was the death of a God-man cf. Hence, when Christ was hanging on the cross, God was with Him cf.

John , 16; Because Christ died on the cross as a God-man, God was in Christ when Christ was crucified and hung on the cross for us. On the cross Christ bore our sins and was made sin on our behalf 1 Pet. He also died in the likeness of the flesh of sin Rom. In the flesh there are sin and Satan. When the Lord went to the cross to die for our redemption, He did not hang there alone. The old creation, the old man, the flesh, sin, and Satan were on Him, and they were crucified with Him 6: 6; Gal.

Thus, the death of Christ terminated the old creation, the old man, the flesh, sin, and Satan. Whenever I recall my years with the Lord, I am filled with gratitude. For more than fifty years, I have been the object of His mercy and grace. Throughout the course of these years, I have been carried by the wings of a great eagle.

Many things which have taken place have been not at all according to my expectation. I thank the Lord that so many things did not work out according to my way, but according to His way. He always knows what I need. I never expected to come to this country, but the Lord has brought me here. Have You ever dreamed that You would be where You are today? In the words of a hymn written by Charles Wesley,. Let earth adore; Let angel minds inquire no more.

My chains fell off, my heart was free, I rose, went forth, and followed Thee. Still the small inward voice I hear, That whispers all my sins forgiven; Still the atoning blood is near, That quenched the wrath of hostile Heaven. I feel the life His wounds impart; I feel the Savior in my heart. Traditionally one of the great hymns of Methodism, this text appears in a number of modern hymnals. Like so many of Charles Wesley's hymn texts, "And Can It Be" is full of allusions to and quotations from Scripture; a few of the more obvious texts are Philippians , Acts , Romans , and Hebrews Wesley's use of metaphors is also noteworthy — he deftly contrasts light and darkness, life and death, slavery and freedom, and especially Christ's righteousness and our unrighteousness.

Liturgical Use: Service of confession and forgiveness; adult baptism; in conjunction with doctrinal preaching; many other occasions. Several members of the Wesley family are significant figures in the history of English hymnody, and none more so than Charles Wesley. Charles was the eighteenth child of Samuel and Susanna Wesley, who educated him when he was young. Their purpose was to study the Bible in a disciplined manner, to improve Christian worship and the celebration of the Lord's Supper, and to help the needy.

Charles Wesley was ordained a minister in the Church of England in but found spiritual conditions in the church deplorable. Charles and John served briefly as missionaries to the British colony in Georgia.

Enroute they came upon a group of Moravian missionaries, whose spirituality impressed the Wesleys. They returned to England, and, strongly influenced by the ministry of the Moravians, both Charles and John had conversion experiences in see more on this below. The brothers began preaching at revival meetings, often outdoors. These meetings were pivotal in the mid-eighteenth-century "Great Awakening" in England.

Though neither Charles nor John Wesley ever left the Church of England themselves, they are the founders of Methodism. Charles wrote some sixty-five hundred hymns, which were published in sixty-four volumes during his lifetime; these include Collection of Psalms and Hymns , Hymns on the Lord's Supper 1 , Hymns and Spiritual Songs , and Collection of Hymns for the Use of the People called Methodists Charles's hymns are famous for their frequent quotations and allusions from the Bible, for their creedal orthodoxy and their subjective expression of Christian living, and for their use of some forty-five different meters, which inspired new hymn tunes in England.

Numerous hymn texts by Wesley are standard entries in most modern hymnals; fourteen are included in the Psalter Hymnal. Charles's elder brother John also studied at Christ Church College, Oxford, and was ordained a priest in the Church of England in After his contact with the Moravian missionaries, Wesley began translating Moravian hymns from German and published his first hymnal, Collection of Psalms and Hymns , in Charleston, South Carolina ; this hymnal was the first English hymnal ever published for use in worship.

Upon his return to England in Wesley "felt his heart strangely warmed" at a meeting on Aldersgate Street, London, when Peter Bohler, a Moravian, read from Martin Luther's preface to his commentary on the epistle to the Romans. It was at that meeting that John received the assurance that Christ had truly taken away his sins.

That conversion experience followed a few days later by a similar experience by his brother Charles led to his becoming the great itinerant evangelist and administrator of the Methodist "societies," which would eventually become the Methodist Church. An Anglican all his life, John Wesley wished to reform the Church of England and regretted the need to found a new denomination. Most of the hymnals he prepared with his brother Charles were intended for Christians in all denominations; their Collection of Hymns for the Use of the People called Methodists is one of the few specifically so designated.

John was not only a great preacher and organizer, he was also a prolific author, editor, and translator.

He translated many classic texts, wrote grammars and dictionaries, and edited the works of John Bunyan and Richard Baxter.

Most significant, however, is his well-known strong hand in editing and often strengthening his brother Charles's hymn texts before they copublished them in their numerous hymnals. And can it be that I should gain. Wesley at that time underwent. His diary of that date gives minute details of the mental and spiritual struggles through which he passed, evidences of which, and the ultimate triumph, are clearly traceable in both hymns.

It was first published in J. When included in the Wesleyan Hymn Book , , stanza v. It has passed from that hymnal into numerous collections in Great Britain and most English-speaking countries. Stevenson's note on this hymn, dealing with the spiritual benefits it has conferred on many, is full and interesting Methodist Hymn Book Notes , p.

Original text in Poetical Works , , vol. It was published in John Wesley's Psalms and Hymns in that same year with six stanzas. The refrain is a repetition of the last two lines of the first stanza. Sometimes there is an expanded refrain, in which these two lines are sung twice after every stanza, replacing the last two lines of the second through fifth stanzas, but this omits some important lines of the hymn.

However, in the twentieth century this text was paired with SAGINA, and with few exceptions, this is the only tune used today. The tune is fairly well-known, but it can present difficulties for congregational singing because of its wide range and frequent melismas. It is a good idea to sing in parts, especially on the refrain. This hymn is used as a song of response, and is especially suited to a service of confession and forgiveness, or an adult baptism.



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