Crop factor means that the image is cut out because the sensor is too small to capture the entire image. You can do this with a full-frame camera.
A full-frame camera can have the same number of megapixels as a camera with a smaller sensor. Because the number of pixels in a full-frame camera is spread over a larger surface, though, the pixels are larger. As a result, they capture more light and make the sensor more sensitive to light. In general, this allows you to take a clear and sharper photo with a full-frame camera, even in dark situations.
Because a full-frame has no crop factor, your lens actually has the image angle that's promised. A 50mm lens on a full-frame camera also has a 50mm image angle.
On a camera with an APS-C sensor, the image angle is reduced to In addition, a full-frame sensor has a smaller depth of field than other sensors. This makes it easier to detach your subject from the background. This is useful in portrait and macro photography, for example. Experience the ultimate in image quality. Discover the power of flexible filming. The freedom to tell your story. With Image Stabilizer for nature, travel and sport. Stylish and practical hand held, desktop, scientific and printing ranges.
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Get greater control of business documentation. Interviews and inspirational stories from passionate people. Capture the changing colours of autumn. Take in the vast beauty of the landscape. Full-frame sensors are typically found in high-end DSLRs and, increasingly, mirrorless cameras. Cameras with full-frame sensors tend to be big and bulky when you compare them to the smaller, more budget-friendly formats like APS-C and Micro Four Thirds. These are often called crop-frame sensors. Even mirrorless full-frame cameras — which can throw out the bulky mirror box used in a DSLR — can be quite large, as the lenses need to be big enough to project an image that fills the larger sensor.
APS-C or Micro Four Thirds cameras, by comparison, can have much smaller lenses and therefore provide a more convenient overall size, especially when carrying multiple lenses at a time.
So, why might a photographer want to lug around a full-frame camera? As it turns out, the size of the sensor makes the most significant impact on image quality.
The more surface area there is, the more light the sensor can gather, and this leads to better image quality — particularly in low light situations. But the sensor inside such cameras is many times smaller than even Micro Four Thirds, let alone full-frame. However, full-frame sensors have another advantage that goes beyond objective image quality: better depth of field control. The body is very small, but not too badly overbalanced by larger lenses, and while it doesn't have the heavyweight presence of more pro-orientated cameras, it's light, nice to use and has up-to-date tech.
It's not the most advanced full frame camera on the market by any means, but with its compact, easy to use body and vari-angle screen, it's a brilliant buy at current prices. For a long time, the original Sony A7 was the cheapest full frame camera you could get, but it's almost impossible to buy new now and its replacement, the A7 Mark II is, to be fair, a much better camera. The big advantage that you you get with the Alpha A7 II is built-in optical stabilisation.
This allows you to get steadier shots in a wide variety of lighting conditions, and works with any of the range of E-mount Sony lenses. Autofocus and start-up times are also faster than those on the A7, the former thanks to a point phase-detect AF system that works in combination with point contrast-detect AF, ensuring sharpness no matter where the subject lies in the frame.
This megapixel CSC is also pretty small for a full-frame camera. Prices for the A7 Mark II are falling just as they did for the original A7 before it, and right now this is one of the cheapest options for full frame upgraders. The Z5 is Nikon's cheapest full-frame mirrorless camera, making it perfect for this list, though whether you consider it a bargain or not will depend on which territory you're in.
In the UK, for example, there is no body only option and it's sold only with a mm kit lens you will probably want to replace quite soon.
In the US, you can buy it as a kit and body only, and in body only form it's significantly cheaper than the Nikon Z6. The 45fps burst shooting and cropped 4K video are a bit disappointing, but the Z5 handles really nicely, has a magnesium alloy body and weatherproofing, and we like the twin SD UHS-II card slots too.
What's really caught our eye, though, is the price drops we're seeing right now. This is a chance to get a brand new camera design at 'old camera' prices. Read more: Nikon Z5 review Best Nikon cameras. As well as a step up in resolution — from The autofocus system gets a healthy boost in the shape of 45 cross-type points — although the AF point array is weighted towards the centre of the frame.
The D has now been discontinued and replaced by the Nikon D , but even though the D has been out a little while, it's still too pricey to warrant a place on this list.
The D takes its controls and handling cues from Nikon's enthusiast-level DSLRs rather than its pro models, but it does have Nikon's tried and trusted point AF system which was, for a while, the best in the Nikon range. The D does not capture 4K video, but it can shoot p full HD at up to 60fps.
It also has a tilting rear screen, so although its live view autofocus isn't especially fast, it's still a step ahead of most fixed-screen DSLRs.
The D is an easy camera to live with and, of course, it offers access to a huge range of Nikon-fit lenses. It's the cheapest full frame Nikon camera right now, though the Nikon Z5 runs it pretty close.
Headline features include highly a effective point AF system and a 5-axis image stabilization system that promises 5EV of compensation. Handling is excellent, with a design that combines easy access to important camera settings with a typically compact and lightweight Alpha build. It also has a tough weather-resistant body and delivers up to 6.
It matches the Lumix S1 for stills and beats it for video, coming close to the capabilities of the far more expensive Lumix S1H. What a camera! Read more: Panasonic Lumix S5 review. It's easy to fall in love with the miniature size of the Sigma fp and its utilitarian, industrial design.
Sigma has always dared to be different with its cameras, and given that there are now so many different full-frame mirrorless systems, this is great to see. This is a camera that is designed to be a start of a system, however, which is where opinions might divide. Stills photographers might find the Sigma fp a bit irritating to handle without its optional screw-on grip and ergonomically challenged even then.
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